Milwaukee Art Museum
Monday, September 22, 2014
Photographs of the Exterior
Santiago Calatrava based his structure on steel and concrete materials with the exception of the wires holding the bridge and the tempered glass used as windows that are found in many modern skyscrapers. The floor surrounding the structure is composed of concrete and like many museums, the inside is composed of white marble.
"The Milwaukee Art Museum - Santiago Calatrava." The Milwaukee Art Museum - Santiago Calatrava. Web. 21 Sept. 2014. <http://www.arcspace.com/features/santiago-calatrava/the-milwaukee-art-museum/>.
Video Featuring the Building
This video surprisingly gave me new insight and information regarding the Milwaukee Art Museum. To start off, this project was Calatrava's first that was made in the U.S. I also found out more about the wings on the building. For starters, they are able to close and open and stay automatically closed when winds exceed 23 mph or when the museum itself is closed.
"Milwaukee Museum of Art." Youtube. YouTube, LLC, 4 September 2010. Web. 22 September 2014. http://www.youtube.com/watch?v=1slONyT3nkc
Website Featuring the Building
The travel section under the US News website is a popular destination for opinions and on discovering what to expect when one visits a certain building or city. It begins by praising the architecture and saying how one might feel as if they were trapped inside a whale. It goes on to say that all the +30,000 works of art are able to be seen in about an hours worth of time. Generally, it gives off a good impression of the museum for the visitor.
I would definitely agree with what US News had to say about the Milwaukee Art Museum and I don't doubt that the atmosphere is spectacular. The comparison to being trapped in a whale is bizarre since I don't understand how one could enjoy that. Also, the only way I can imagine seeing 30,000 pieces of art within an hour is if I was running around the entire museum. Even then, I don't think I'd be able to appreciate the art that is there.
"Milwaukee Art Museum." Reviews. Web. 22 Sept. 2014. <http://travel.usnews.com/Milwaukee_WI/Things_To_Do/Milwaukee_Art_Museum_62130/>.
I would definitely agree with what US News had to say about the Milwaukee Art Museum and I don't doubt that the atmosphere is spectacular. The comparison to being trapped in a whale is bizarre since I don't understand how one could enjoy that. Also, the only way I can imagine seeing 30,000 pieces of art within an hour is if I was running around the entire museum. Even then, I don't think I'd be able to appreciate the art that is there.
"Milwaukee Art Museum." Reviews. Web. 22 Sept. 2014. <http://travel.usnews.com/Milwaukee_WI/Things_To_Do/Milwaukee_Art_Museum_62130/>.
Sunday, September 21, 2014
Drawing
I drew the south side of the Milwaukee Art Museum as an individual would see it from Lake Michigan. The museum stands proudly on the shore of the lake, which begins after the dark wall. The wings of the building are meant to be symmetric and the bridge connecting the museum to the park appears behind the museum.
Journal Article
With so much talk about Santiago Calatrava and the modern Milwaukee Art Museum, I decided to use the magazine/journal requirement to get insight on the historic version of the museum. In the 1975 journal article "The Milwaukee Art Center" takes the modern reader back to observe the additions that architect David Kahler made to what was once just a war memorial with an indecent amount of art work.
In the article, the fascination of the city is felt as excitement over the "new Milwaukee Art Museum" is described. Although it is nothing compared to the current +30,000 pieces of art that the museum exhibits, the idea of having 6,000 pieces of artwork back in 1975 fascinated the community. David Kahler more than quadrupled the 1957 structure into something worth being proud of. This gives me an insight of what it was like living in the mid 70's and considering that the World Trade Center in New York and the former Sears Tower in Chicago had recently been constructed, I would too be excited that Milwaukee was part of the architectural boom that the U.S. was about to experience, even if it was just for a museum.
In addition to the appearance of the new art museum, recognition was given to the new technology of the structure. The "advanced technology" included 19 projectors, 10 speakers, 2 amplifiers and a quadraphonic tape desk. Considering that Milwaukee wasn't such a large city o begin with, I can imagine why there was so much excitement.
It wasn't just the architecture that there was to be excited about. The new art museum was to sponsor many upcoming instrumental symposiums, attracting more visitors to the city and assisting in a population growth. Prior to 1975, the war museum wasn't a structure that was used for such attractions, but David Kahler's innovation to the structure made sure that would change.
"The Milwaukee Art Center." Design 76.6 (1975): 29. ProQuest. Web. 21 Sep. 2014.
In the article, the fascination of the city is felt as excitement over the "new Milwaukee Art Museum" is described. Although it is nothing compared to the current +30,000 pieces of art that the museum exhibits, the idea of having 6,000 pieces of artwork back in 1975 fascinated the community. David Kahler more than quadrupled the 1957 structure into something worth being proud of. This gives me an insight of what it was like living in the mid 70's and considering that the World Trade Center in New York and the former Sears Tower in Chicago had recently been constructed, I would too be excited that Milwaukee was part of the architectural boom that the U.S. was about to experience, even if it was just for a museum.
In addition to the appearance of the new art museum, recognition was given to the new technology of the structure. The "advanced technology" included 19 projectors, 10 speakers, 2 amplifiers and a quadraphonic tape desk. Considering that Milwaukee wasn't such a large city o begin with, I can imagine why there was so much excitement.
It wasn't just the architecture that there was to be excited about. The new art museum was to sponsor many upcoming instrumental symposiums, attracting more visitors to the city and assisting in a population growth. Prior to 1975, the war museum wasn't a structure that was used for such attractions, but David Kahler's innovation to the structure made sure that would change.
"The Milwaukee Art Center." Design 76.6 (1975): 29. ProQuest. Web. 21 Sep. 2014.
Written Interview with Architect Santiago Calatrava
Writer and Editor Robert Ivy interviewed Santiago Calatrava in order to figure out the mind process of such an inspiring architect and get insight on his views of architecture itself. The Milwaukee Art Museum came into discussion as Calatrava's powerful example.
In the question "Why don't we take one of those projects, [maybe the Milwaukee project], and describe how it has progressed; how it came to be and where you are with it.", Calatrava starts off by explaining that the ideas he presented prior to visiting Milwaukee were vague. It is important to get familiar with the location that the structure is to be placed because not every type of building will compliment or even fit in with every setting. Calatrava especially took Lake Michigan into mind when designing the building and had the idea of changing up the war memorial into a grand museum that compliments the lake front. He explains that he tried very much to influence the building with a sort of "lake culture" which is why you see what are the sails of a sail boat shaped wings on the top of the structure.
Calatrava also takes into consideration that Milwaukee isn't an "old" city like Rome or Madrid. The multiple buildings and bridges that he designed for these cities already had architecture that was easily recognizable. For instance, it isn't difficult to know that you are looking at a picture of a European city when you see one, but in the case of Milwaukee, Calatrava had a chance to articulate the Building with the city and make something that could represent Milwaukee.
Ivy, Santiago. "Interview With Santiago Calatrava." Interviews. : Architectural Record, . Print.
In the question "Why don't we take one of those projects, [maybe the Milwaukee project], and describe how it has progressed; how it came to be and where you are with it.", Calatrava starts off by explaining that the ideas he presented prior to visiting Milwaukee were vague. It is important to get familiar with the location that the structure is to be placed because not every type of building will compliment or even fit in with every setting. Calatrava especially took Lake Michigan into mind when designing the building and had the idea of changing up the war memorial into a grand museum that compliments the lake front. He explains that he tried very much to influence the building with a sort of "lake culture" which is why you see what are the sails of a sail boat shaped wings on the top of the structure.
Calatrava also takes into consideration that Milwaukee isn't an "old" city like Rome or Madrid. The multiple buildings and bridges that he designed for these cities already had architecture that was easily recognizable. For instance, it isn't difficult to know that you are looking at a picture of a European city when you see one, but in the case of Milwaukee, Calatrava had a chance to articulate the Building with the city and make something that could represent Milwaukee.
Ivy, Santiago. "Interview With Santiago Calatrava." Interviews. : Architectural Record, . Print.
Interior Photographs
Photograph
To the left we see an image of the inside part of the building that is facing Lake Michigan. With the glass walls facing the lake, it will be impossible that the sunlight not enter the vast space. The idea of making the walls a powerful white color enhances and reflects the natural light that is entered. It seems that Spanish architect Santiago Calatrava had the intention of affecting the mood of the visitors in a positive aspect. If you walk towards the center of the window/wall you are able to acknowledge the balance and symmetry of each side which is comforting as opposed to an unbalanced building that would make the visitor feel at edge.
"The Milwaukee Art Museum - Santiago Calatrava." The Milwaukee Art Museum - Santiago Calatrava. Web. 21 Sept. 2014. <http://www.arcspace.com/features/santiago-calatrava/the-milwaukee-art-museum/>.
To the left we see an image of the inside part of the building that is facing Lake Michigan. With the glass walls facing the lake, it will be impossible that the sunlight not enter the vast space. The idea of making the walls a powerful white color enhances and reflects the natural light that is entered. It seems that Spanish architect Santiago Calatrava had the intention of affecting the mood of the visitors in a positive aspect. If you walk towards the center of the window/wall you are able to acknowledge the balance and symmetry of each side which is comforting as opposed to an unbalanced building that would make the visitor feel at edge.
"The Milwaukee Art Museum - Santiago Calatrava." The Milwaukee Art Museum - Santiago Calatrava. Web. 21 Sept. 2014. <http://www.arcspace.com/features/santiago-calatrava/the-milwaukee-art-museum/>.
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